Answering questions from students
Thanks to the Covid-19 lockdown in New Zealand, I have a bit more time to go into depth when answering my students’ questions, and I have loved creating some Q & A videos for them.
Question 1: Smoothing the surface around engraved lettering
Our first question came from Theresa (Florida, USA). She created a beautiful aluminium artwork, featuring a gorgeous honeycomb with some high relief bees and flowers.
Theresa asked how she could smooth the area around the words, and I created this video to explain my approach to engraved lettering. I also demonstrate how to use a few sheets of paper, a piece of cardboard, and a cleaning cloth to create different depths of engraving.
One of my personal strategies when embossing a piece is to always start from the centre of your design and work your out since the metal stretches as we emboss it. What happens when we start from the outer corners, is that by the time you get to the centre, the bit in the middle might be very bumpy. This might prove tricky to fix and smooth out properly, without the metal creasing.
Anyway, you can check out my full answer and tutorial here:
Question 2: Which filler to use for high relief tin wraps
The next question came from Pauline (Tauranga, New Zealand).
Pauline created a beautiful aluminium wrap to go around a tin, featuring cute little geese. Her question related to which filling would be the best to use when creating high relief designs that you intend to mount onto a concave surface.
Pauline tried using glue as a filler, as she was worried about using beeswax as a filler. She was afraid the beeswax would crack when mounting it onto the round surface of the tin. Unfortunately, the glue ran out, leaving the geese with little or no support.
I answer Pauline’s question in this video:
Question 3: Getting copper mounted onto wood smoothly
Our last question for the week came from Theresa.
Theresa created this striking little copper birdhouse.
Here is what Theresa posted:
“So, I thought I would try a roll of copper to try as these little birdhouses seemed to beg for it. I had in mind a bee house😊 as I love the honeycomb. What I found was that the copper, same gauge as the aluminium I have been working with is quite a bit stiffer and not as easy to work with, but I adore the colour! I am not happy with my first attempt , learning to do on the seams and making them not so obvious. Also the patina is a combination of acrylic and India ink. Not super happy with that. My adhesive didn’t hold on the edges. Think I need some copper tape for the bottom. And once again I am not happy with the lettering. I think this is going to have to be my first uh oh piece. I still love the concept though. 😊”
I answer Theresa’s question in this video:
Progress over perfection!
I am so proud of these students of mine! I love the fact that they are expanding their skills, trying new projects and not letting perfection stand in their way! I think their projects are amazing! And as I always say:
If you have questions, please comment below and I’ll try my best to answer them as soon as possible.
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